Summer 2021

UConn Geoscience: Earth’s Dynamic Planet

 

 

By Robert Thorson, Ph.D., Department Head

and Faculty Coordinator, Earth Science

 

We know that high school and college students are manifestly anxious about the current climate crisis.  But how many also know that Earth isn’t fragile?  That climate comes from underground?  That ecology is only one part of earthly operations?  That radioactive decay keeps our planet habitable?  That petroleum is no less natural than water?  That oxygen was originally an exhaust gas pollutant?  That humanity’s most expensive mistakes involve ignoring the deep time of planetary history? 

 

NASA Image of Earth from the International Space Station. Reid Weisman, Sept. 4, 2014.

 

It’s an ongoing and societally expensive tragedy that few U.S. citizens know how the Earth works as the whole pie, rather than pieces carved up into arbitrary disciplines.  Typically, they were taught only nuggets of old-school geology in grades 8-10, rather than the mother lode of new school geoscience that remains undiscovered for most. I call this new school “whole earth environmentalism”, the idea that understanding how the planet works as a beautifully coherent integrated system is a prerequisite to best-practice management of the specific environmental problems that capture media attention.

 

UConn ECE is now offering an opportunity for students to learn about how it all works with a course that educates and also puts them on a pathway to important careers that will make a difference. 

 

Meghan Kinkaid, UConn ECE Instructor from CREC’s Academy of Aerospace and Engineering, is a pioneer.  This past year, she was the first instructor in Connecticut to offer UConn’s popular introductory geoscience course Earth’s Dynamic Planet (GSCI 1051). Her students now know that they are “impacted by geosciences daily and that this course gives us an opportunity to make them aware, take interest, and possibly plan a career around it.”

 

They’ve also learned that good jobs, high salaries, and rewarding careers are increasingly available, given the near-future shortfall of 175,000 geoscientists estimated by the American Geosciences Institute.  Beginning with this UConn course offered through UConn ECE, the vast majority of UConn’s geoscience majors following one of three tracks (Earth, Environmental, Atmosphere) go on to successful scientific careers: mitigating natural hazards, improving risk assessments, restoring landscapes, accessing clean water, obtaining mineral resources, developing geothermal energy resources, science communication, and education.

 

The other high school teachers in Meghan’s pioneering cohort of UConn ECE-certified instructors—Lewis from the Hartford Magnet Trinity College Academy and both Christopher Tait and Harold Condosta from Ridgefield High School—were ready for takeoff last fall, but the chaos of the Covid-19 pandemic forced their administrations to delay.  Five high schools, including New London High School and Plainfield High School, have certified instructors. Next year, four schools are scheduled to offer GSCI 1051.  With school returning to in-person for the fall, Meghan McNichol (New London High School) quipped, “we won’t have to work twice as hard to accomplish half as much.”

 

Though Meghan Kinkaid is our pioneer, Kim Glazier, a science teacher from Plainfield, is our visionary. “Going forward,” she wrote, she “would like to see all of our AP classes replaced with ECE options.” AP or Advance Placement courses are those which high school students master content to “test out” of a college course during a grueling three-hour exam, provided the college accepts them, and they get a high score. UConn courses taught through UConn Early College Experience are those where the students experience the actual college course being taught in the comfort of their own school by a familiar teacher being supervised by a caring university or college faculty member. Kim’s vision aligns with our growing awareness that sit-down standardized testing is less accessible to under-represented groups, and less accurately reflects the diversity of approaches needed for STEM science careers. When reviewing the GSCI 1051 course description, Kim realized that UConn’s Earth’s Dynamic Planet “would meet the requirements of our required Integrated Science class and thought it would be awesome to offer a course that can lead to college credits for something the students have to take anyway.”

 

During our inaugural UConn ECE workshop of May 26, 2021, six of us—Meghan, Meghan, Jared, Harold, and me (with Kim included later)—bonded as a team dedicated to increasing the quality of geoscience education in Connecticut high schools. We invite you to join us by reviewing the GSCI 1051 course that unites us and contacting any of us for more information.  As UConn’s ECE Coordinator for Geosciences, I’m a good first contact. I look forward to hearing from you.

 

Unsourced.

 

NACEP Re-Accreditation – An Editorial Not a Description

 

 

By Brian Boecherer

 

By the time you read this article, the National Alliance of Concurrent Enrollment Partnerships (NACEP) Re-accreditation application will have been submitted. Almost 900-pages of paired syllabi, assignments, statements of equivalency, analysis, documentation, and testimony from the four-corners of the program and the highest levels of the University. This has been my third time engaging in NACEP accreditation, with my first time in 2006 when UConn Early College Experience entered into its modern renaissance. When you complete a task as big as accreditation it feels important in many ways. No matter how experienced you are in the program, after leading an accreditation effort, you feel more knowledgeable than ever before. You have synthesized huge volumes of information, have lead many professionals in a very detailed way, and have created and edited hundreds of documents until you feel they are perfect. You are ready to lead the next chapter of the program, because you see how complete some areas are and where new opportunities should develop.

 

NACEP accreditation makes me very proud. Not only because we have the status of third-party review, but because our program shines in ways that few other programs do in the nation. As you have heard time and time again, UConn ECE is the oldest concurrent enrollment program in the nation. It is also really one of the best too. We are seen by others as an ivy league in terms of concurrent enrollment. Like the character of every person, our collective and constant efforts make us who we are. We are passionate and dedicated. We work hard and value the fruits of our labor. We care. This is not only true around accreditation time; it is true every year, all the time.

 

I remember when I started with the program full-time in 2005 (having really started with the program in 1999) and setting the development plan for the office through a process of visiting all the high schools in the program to learn what we did well and where we needed to improve. The high schools and the departments—our great community—put the issues on the table and we ran with them. NACEP was an important part of that story, because it helped us set goals, meet them, and then we aspired to surpass them. The drive to surpass them is part of our character and we should all be very proud to be part of that story.

 

As the director and the curator of the NACEP application, I know our re-accreditation package will be well-received. I also know that it took a community to create. It is the UConn ECE Community that creates the program, the accreditation package is a recording of your fine work. Thank you for all that you do, I am proud to be a part of this inspiring community.

2021 UConn ECE Wallace Stevens Poetry Contest Winners

 

 

By Sean Frederick Forbes, PhD

Assistant Professor-in-Residence

Director, Creative Writing Program

UConn English Department

 

As my fellow judges and I read through the submission packets for this year’s UConn ECE Wallace Stevens Poetry Contest, we were impressed by the varying subjects and topics that students chose to write about. What the three of us discovered was that many of the poems moved us to think about why one chooses to write poetry and what does one hope to convey in poetic verse? We considered why poetry, if not the written word in all genres, matters as we continue to live through a devastating global pandemic. As I write this, I’m reminded of the last two lines of the poem “The Summer Day” by the late Mary Oliver, in which the speaker invites the reader to ponder this direct and undemanding, yet highly philosophical, question: “Tell me, what is it you plan to do / with your one wild and precious life?” If one is a writer, especially a poet, the theme of “Finding Joy, Finding Beauty, Finding Purpose” might very well be an earnest and awe-inspiring response. It’s a theme that best conveys how I’d like to introduce the first, second, and third prize-winning poems, respectively.

 

<<Text redacted>>

 

Charlotte Watts’ “After ‘Chinese Satellite’ by Phoebe Bridgers” is an ekphrastic, usually a poem that describes, or is inspired by, or speaks to another work of art, typically visual art, but here we have a poem based on a song by a 2021 Grammy-nominated musician. A reader’s first impulse might be to listen to Bridgers’ song, but the splendor of this poem is in engaging with the images and phrases, and also the myriad narratives Watts creates throughout in lines such as: “maybe I would sleep easier if / there were ufos over my street.”

 

Zara Williamson’s “To Find God in Me” is a spoken word poem that acts as a homily for a speaker who confronts and analyzes how body image, the mother/daughter relationship, and religion affect a teenage girl’s life. Williamson uses the pivotal refrain “But Momma says” three times in the poem to convey that despite any misunderstandings, tensions, and upheavals that the speaker may have in her teenage life, her mother listens to understand, thus allowing the speaker to write confidently with lines such as: “I talk to the sky sometimes / I imagine She listens with her ears open as my heart / Loud as my voice ringing in the Church bathroom.”

 

A reader will find joy, beauty, and purpose in these three poems since the personalities and voices of each speaker convey so acutely what it means to live and write in the 21st century.

 


The 2022 Wallace Stevens Poetry Contest will open in January 2022 and is open to UConn ECE Students in any discipline.Look for e-mail correspondence sent directly to your school.


<<Section redacted>>

after "chinese satellite" by phoebe bridgers

maybe i wouldn't cry like i do

if i thought someone

could hold me close, whisper

the sky was carved, the mountains

whittled, the plains roped out;

all for you.

 

if they could forgive me

(when i was twelve and my genes were poisonous

fifteen and couldn't look at a boy while i broke his heart

seventeen and speeding serotonin out of myself)

if they could know everything bad in my bones and love me still.

 

i wish 'want' would turn over easy to 'belief'

but i was never skilled at self-persuasion

 

maybe i would sleep easier if

there were ufos over my street -

grand government conspiracies or just a lonely cryptid

making his way through a distant forest,

anomaly eyes locked on the same moon.

i want to be made by more than coincidence,

to have some code built within my bones, saying

here is what you do. here is what is all means.

i knew you the whole time.


 

 

Biography

Charlotte Watts is an 18 year old writer from Windsor, Connecticut. She has read at Sunken Garden and was a finalist for the 2020 Smith College High School Poetry Award. She is going to Lesley University in the fall to major in Creative Writing.

 

Context of Poem

As a lifelong agnostic Quaker, my relationship with faith is complex and fluid. In this poem, I wrestle with the emotional consequences of non-belief, as well as the longing to know a higher meaning.


 

To Find the God in Me

 

I wear this body like my Sunday morning Church dress

Like this mahogany skin does not sit right on my bones

This hair -- tight coils that dance along my scalp-- fits like a bright pink bonnet

Too tight and too much

But momma says I'm pretty

My reflection looks a lot like stained glass these days

Where my face is a puzzle of pieces that is almost unrecognizable most of the time

But momma says she sees God in me

I suppose these hands are like my Church gloves

Palms white and soft as silk

These are prayer hand s, you see

I talk to the sky sometimes

I imagine She listens with her ears open as my heart

Loud as my voice ringing in the Church bathroom

Asking what I will be

But momma says God hears me

So I earthquake the Church floorboards into pixie dust

Momma, God and I dance on top of clouds and my Church dress fits just right

I peer into the stained glass windows

And my reflection looks like someone I know


 

 

Biography

Zara Williamson is a rising senior at Westhill High School and has had a special interest in English and poetry from a young age. Throughout high school, Zara has been involved in various community service programs at Westhill and in Stamford, including her role in organizing a local poetry slam in honor of Juneteenth. She hopes to continue to be involved in the broader Stamford community through her love and involvement in the arts, and wants to thank UCONN for considering her work.

 

Context of Poem

“To Find the God in Me” explores the stressors of the teenage experience, including the developing and nonlinear journey towards positive self-image. The poem, written from the perspective of a young teenage girl, analyzes the role of religion and motherhood in soothing stressors, specifically that of imposter syndrome and body dysmorphia.